some approaches to listening with/in places
Trace a path in a place of interest, at full scale in real time:
Two variations on an hour-long line drawing walk as field recording, registering my body’s vibrations in various terrain at Djerassi artist residency program in Woodside, California, 2025.
Ember inscriptions excerpt: three from a series of 22”x30” prints made from charred wood gathered in wildfire sites of northern California. 2023 - ongoing.
Notebook phonography informed by asemic writing, spectrograms, and oscilloscope imaging. A series of line drawings and notes led by listening to insects and airplanes, two environmental presences defining a place of temporary residence in the northern Santa Cruz Mountains, California, 2025.
Draw a line around a place of interest, at full scale, with the whole body:
Field recording as hour-long line drawing made with the vibrations of my body while walking the perimeter of a hazardous waste landfill in a natural remediation zone on Mare Island in Vallejo, California, 2024.
Berlin notebook excerpt: 27 very short walks registering the vibration of my body in transit as field recordings of liminal spaces of the city. 2024.
for “post score” exhibition at Co-Opt Gallery, Lubbock TX, 2023
acoustic field studies, Mussel Rock variation, 2023
gather: walking and listening study, Mussel Rock 2024
acoustic field studies, Mussel Rock variation, 2023
for “Voices in Distant Landscapes” organized by Gretchen Jude, 2021
acoustic field studies, Mussel Rock variation, 2024
for “post score” exhibition at Co-Opt Gallery, Lubbock TX, 2023
For “A Year of Deep Listening” online in 2022, published as a book in 2024.
for Miji 66 organized by Yan Jun in 2020, for anyone to perform at home during international pandemic lockdown as Miji paused in-person events in Beijing.
